{"id":266,"date":"2001-08-08T00:31:59","date_gmt":"2001-08-07T22:31:59","guid":{"rendered":"http:\/\/newsite.theodosiispassov.com\/discography\/english-ultramarin"},"modified":"2021-08-09T08:38:05","modified_gmt":"2021-08-09T08:38:05","slug":"ultramarin","status":"publish","type":"discography","link":"https:\/\/theodosiispassov.com\/en\/discography\/ultramarin\/","title":{"rendered":"Ultramarin"},"content":{"rendered":"\n
  1. Rada<\/li>
  2. Theodosii Spassov Solo<\/a><\/li>
  3. Rapship, Sapship, Rapshipsarap<\/a><\/li>
  4. Tatar Blues \/ Enver Izmailov Solo<\/a><\/li>
  5. At Sea<\/li>
  6. Barabar<\/a><\/li>
  7. Near The Grapes<\/a><\/li>
  8. Morning<\/li><\/ol>\n\n\n\n

    The Fairy Tale Trio plays a kind of hybrid music combining elements of Bulgarian folk music and jazz. Kaval player Theodosii Spassov has developed a style that allows him more chromatic and timbral possibilities than previously associated with that instrument, while soprano saxist Anatoly Vapirov can go from tricky folk melodies to Coltrane-like wailing in the space of a few notes. The trio is rounded out by percussionist Stoyan Yankoulov, who uses mostly the traditional tupan (a double-headed drum, played with sticks) with a few modern additions<\/p>\n\n\n\n

    .Enver Izmailov is a remarkable guitarist. He developed a tapping technique long before ever hearing about Stanley Jordan. His playing encompasses Oriental and Balkan folk music, rock, Indian music etc. Western classical and the improvisation of jazz; he can also make his guitar sound like a tabla or saz and is not afraid to leave space.<\/p>\n","protected":false},"featured_media":6603,"template":"","meta":{"_acf_changed":false,"ngg_post_thumbnail":0},"class_list":["post-266","discography","type-discography","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t